Things to come

This is a bit of a strange time for me. I have done some work on some artistic pieces, but at the same time I am also keenly aware that in about 4 weeks time I will be standing on a stall at the BCTF in Harrogate, and since we had a bit of disaster 2 years ago when trying to sell artistic pieces, this time around I decided to also have a lot more simple items on the stall.

Fruit in the making…

I am well down that road, having already completed a few dozen tealight holders and candle sticks, with another 10 or so just needing some final touches. Then there’s kiddie’s dough rolling pins. And fruit, mostly apples and pears. The picture shows the next batch mostly turned, but yet unfinished.  By the time I am typing this, the only thing missing is the stalks at the top.

There will be other small items, such as bottle stoppers, letter openers, key rings, light pulls and so on. More pictures to follow.

The other thing that’s really bothering me is that I cannot find my tripod. Taking good still images really does need a trtipod. I’ve tried higher ASA ratings and lower picture settings, just to get shorter exposure times on the camera, but the results are just not the same. This is really a hangover from our move more than a year ago. Since the building work hasn’t proceeded at the anticipated pace, we still have loads of cardboard boxes in the garage and it’s probably in there somewhere. Except I cannot find it.

Leylandii vase

Two of the more artistic items are a large blue hollow form or vase and a carved tazza. The blue hollow form is made from Leylandii, and the opening at the top is big enough to allow my whole hand to fit inside, which in turn allows for much better sanding. This was, in fact, dearly needed, as the wood would not cut cleanly on the inside and I had some terrible tear-out to deal with. I am happy to report that this is now all done, and all that’s needed is some finish. I am a little nervous, to be honest, about that large knot on the shoulder. I made another hollow form not long ago, and it now decided to develop a very long crack right out of its large knot. We’ll have to see.

One piece tazza with carving

The other item that is work in progress is this one-piece tazza. The rough outline of the form was turned well over two years ago, and it’s been sitting on the shelf for a long time, waiting for some inspiration how to finish it. I had the idea of carving the top part of the stem and the underside of the dish into an array of leaves quite some time ago, but did not have the necessary carving tools (and skill) until recently.

The wood is spalted sycamore, and it is completely dry, so at least I don’t have to worry about further distortion or checking. And it’s got a bit of figure and colour to it, so most likely I won’t do any colouring to the final item. Clearly the carving isn’t finished yet, there’s still a long way to go, but I think the end result will be quite fantastic.

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This year will be different

In 2016, Helen and I did a total of 5 shows across the year. One of them was a horse trial, one was the Craft and Design Show in Henley (now defunct,) then the BBC Countryfile Live, the Autumn Show in Derbyshire and a hunting event south of Birmingham. Although they were all good fun, these shows are just too expensive and don’t draw enough audience for my work. There wasn’t a single day of trading where I made my money back, never mind actually covering any costs or making a profit. Clearly it could not go on like that.

We didn’t do any shows in 2017, so we could focus on the new house and garden, and also to reconsider our options. Work on the house did not progress as planned, mostly because we just couldn’t get the local craftsmen when we needed/wanted them, so this will be an ongoing subject for at least another year (there’s also the question of money to finance it all). We did discuss what to do about shows.

It’s a tricky one. For now I have only booked one show, and that is the British Crafts Trade Fair in April in Harrogate. For the rest of the year I am planning finding out about local events, which should be a lot cheaper than the big events, and it should be easier to cover costs and make some profit. In theory, at least.

I’ve already figured out that your average street market is completely pointless, because you are competing with guys who import their goods from Morocco and Pakistan, and I simply cannot compete with their pricing. I reckon there must be some events where these guys can’t get in, and those are the ones I have to find.

In addition, there’s no point trying to sell artistic pieces at a street market, so I’ve started making stuff that is better suited for this environment. Wooden fruit, mostly apples and pears, always seem to sell. Candlesticks and tealight holders, door wedges, rolling pins for kids, bud vases, letter openers, key rings, and so on. I am slowly building up stock, and we’ll see how this goes at Harrogate. We will have one half of the stall showing some arty pieces, with a photo album of more work, and the other half dedicated to these lower priced items.

I’ll update you all as we go along, so check in regularly.

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And now for something …

completely different: A wedding signature board!

My wife’s niece (would that be me niece-in-law???) is about to get married. Third time around, at ca. 40 years. The lucky guy is called Tommy and sports a mohican haircut. Nice guy, though. And before I forget it: my niece-in-law is a certified witch. So: not your average couple.

Unsurprisingly, the motto of the wedding is also a little different: Steam Punk.

Since I sent her a handmade tealight holder for Christmas some time ago, she knows I do woodwork. So she asked me to make them a wooden signature board, with an engraved text and ready to be hung up over the sofa in the lounge once the wedding is over. I told her that’s corny, but she wants it anyway.

So I made up around 20-30 design sketches, and we worked our way from there. The wedding is next week Friday, and I’m almost done. Here’s what we have so far:

The whole thing is made from a bookmatched pair of maple boards, cut from a single big slab. This is not your average sycamore, it’s proper hard maple. And heavy. After cleaning up the sides and gluing the whole thing together, I had one hell of a time getting it flat and cleaned up. It’s too wide for my thicknesser, so had to be done by hand. And even then, with a freshly sharpened blade in my No. 4 plane, there were plenty of places where the grain just lifted up, leaving me with an uneven surface. In the end the only thing that really worked was a furniture scraper. And loads of sanding. Followed by more sanding. And finally, you guessed it, more sanding.

The idea here is to have something looking a bit like a steam pressure vessel. The veneer bands represent brass binders, and will have decorative round studs glued to them, so that they look like the heads of rivets. I even made two short bolts with washers and nuts to be glued into the rounded ends, as if there was a steel rod running through the centre.

The picture above shows the board after the initial carving was completed. Some glitches are clearly visible, and these have by now been cleaned up. Now I need to clean up the corners of the banding, then apply sanding sealer and a few layers of satin varnish, glue in the bolt ends and glue on the studs and we’re there.

It’s a lot more work than I thought it would be, but then, she’s family and I like her.

Update: Here’s the finished article:

 

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The bear paw

During my cruising for inspiration I have come across the work of a certain Douglas J Fisher, and I am quite besotted with it. For those not familiar with him, he makes predominantly (but not exclusively) large decorative wall hangings. Mostly maple, often rippled, with off-centre rim decorations and pacific native american motives engraved, and coloured with ink a variety of muted dyes. If I had the money, and lived a little closer, I would probably buy one for my home.

So, the next best thing really is to imitate the man. As they say: imitation is the most sincere form of flattery. I’d love to do some work in a similar direction, but obviously with my own style (yet to be developed). Clearly it cannot include any native american motives, since I don’t live there. And the off-centre turning is tricky without a vacuum chuck (which I don’t have (yet)). So, simple steps to start with and then we’ll see.

This is my first attempt. Not bad, methinks, but there are improvements to be had.

The definition of the motive is good, but could be better. The colouring is almost where I want it. The biggest issue really is that the black stain used for the carved areas has seeped across the nicely carved boundaries and edges and that has blurred the entire image. I have already bought a variety of other inks to see whether this can be improved.

There are also issues with the texturing, but they all stem from inexperience and too much sanding. Nothing that couldn’t be fixed. Oh, by the way, this is about 9″ diameter and is made from rippled olive ash.

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Sing!

To all my blog readers I wish a happy and prosperous year 2018!

I haven’t posted in a while, mostly because I have been busy in the workshop creating new things. And I have a success story to report: This piece was chosen as the turning of the week on the forum of the Woodturners Unlimited (an American forum):

Made from a sycamore crotch, which was initially intended to be a bowl. However, on closer inspection I found that the crotch figure was only really present on the inside, and therefore it would have had to be a natural edge bowl, but the growth of the branches coming out of the crotch was so odd that it would have looked funny. So I decided to turn it into a shallow hollow form. The crotch figure produced some cracks which I decided to carve away, and ended up with this “singing mouth” almost by accident (it certainly was not any deliberate design). Serendipity in action, if you want. I am certainly more than happy with it.

Here’s a link to the post on the forum

Here’s a side view of the same piece:

See you all in 2018 and keep the shavings flying!

 

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